Vistopia
Classics of Our Century: A Film History of the Twenty-First Century in the Making
Film Debate

Listening Guide

02:27Béla Tarr’s beginnings: rejected by university after failing political screening.
05:14Family Nest wins an award in Germany.
07:28Damnation, Hungary’s first independent film, enters the Berlin Film Festival.
12:31The director who filmed only in winter.
16:47Europe’s cross-border production network in his later career.
19:17Why did Béla Tarr retire so early?
20:42Béla Tarr’s intense dislike of Viktor Orbán’s Hungarian government.
 

Selected Quotes

Lao Ma: Béla Tarr had an unusual habit: he filmed only in winter.
Ah Wu: An art-film director must balance personal expression, ambition, public image, commercial returns, and an entire crew. It all rests on one person—that is its own world of power and relationships.
 

Related Information

Béla Tarr (July 21, 1955–January 6, 2026), born in Pécs, was a Hungarian film director, screenwriter, and producer.
His feature debut Family Nest launched his directing career. In 1988 he directed the crime drama Damnation, nominated for Best Young Film at the inaugural European Film Awards.
In 2000 he directed the mystery drama Werckmeister Harmonies, winner of the Berliner Zeitung Readers’ Jury Award at the 51st Berlin International Film Festival. In 2011, The Turin Horse won the Jury Grand Prix at the 61st Berlinale. Tarr died on January 6, 2026, aged seventy.
Béla Tarr
Werckmeister Harmonies (Werckmeister harmóniák), released in 2000
Damnation (Kárhozat), released in 1988
Family Nest (Családi tűzfészek), released in 1979
Episode editor: 加绒、ruicen
2026.08.20
Audio in Chinese

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Featured comments

3 comments
  • 蒋俊
    2026-09-01 09:12:22

    听了一点点,感觉就是两位作者在讲自己知道的一些事,和多数听众和电影和观影者好像关系不大。

    170****3496 :卖弄为主

  • 達達噠
    2026-10-10 02:10:40

    是否考虑替换主持人的声音语调,听着其中一个很不舒服

  • Fanny
    2026-08-24 23:01:43

    《鲸鱼马戏团》全片只有39个镜头,平均每个镜头长达4分钟。这种极端的长镜头,就像塔尔科夫斯基在《雕刻时光》中描述的那样,是在用镜头雕刻时间。当观众被迫与一个画面持续相处4分钟时,时间不再是线性的流逝,而变成了可以触摸的物质。塔尔的学生,后来凭《索尔之子》获得奥斯卡的拉斯洛·奈梅什回忆说,塔尔教会他最重要的是“10分钟不间断的镜头,统一空间、人物和时间”。

    王仲山 :塔尔的确太早收手了,匈牙利也从《天鹅绒监狱》走向了欧尔班的“监狱。