1. 00:23Bourne’s embassy escape thrills through calm, precise observation of space.

2. 01:20How the Paris apartment fight doubles its effect through suspense, false release, and surprise.

3. 03:25Why the chase needs an ordinary compact car rather than 007-style luxury equipment.

4. 04:21Bourne’s gunfight with the Professor is about detecting and controlling the opponent, not marksmanship.

5. 05:22How Bourne creates street chaos and uses it to enter the CIA’s Paris station.

6. 06:59Why Greengrass was right for Bourne: documentary realism and left-wing politics.

7. 09:27The Bourne Supremacy’s post–Cold War Russia: privatization, oligarchs, and commodified intelligence.

8. 11:02How Marie’s death returns Bourne to a state with no escape.

9. 12:20Under Greengrass, the series becomes grayer, colder, and rougher.

10. 14:02How Bourne uses a busy telephone line to devise a complete plan for finding Landy’s room number.

11. 16:09The Munich explosion and Berlin escape: Bourne always plans ahead and keeps a contingency.

12. 18:21The third film begins mid-crisis, while Blackbriar corrupts the institution’s highest level.

13. 21:13Vosen’s ‘It ends when we’ve won’ points to unlimited power in the war on terror.

14. 24:05Why the scene where Bourne obtains secret files omits a crucial process of solving the problem.

1. Ah Wu: Greengrass detests 007 as an imperialist servant doing immoral and misogynistic work; he cannot tolerate Bond’s lifestyle or values. That makes him ideal for a mainstream anti-establishment spy action film like Bourne.

Lao Ma: The ideology fits perfectly.