1.00:27Huang Jianxin’s use of actors: appearance and performance

2.00:56His preference for xiangsheng and sketch-comedy performers

3.01:45Liu Zifeng’s understated acting

4.04:21The physiognomy of Niu Zhenhua

5.06:43Is Feng Gong a good film actor?

6.08:18Zhang Jiayi’s quietly mischievous screen persona

7.09:29Wang Zhiwen and Jiang Shan

8.12:15Wang Jinsong

9.12:50Sketch comedian Ju Hao

10.13:49Fan Wei

11.14:02A digression: Chinese intellectuals

12.14:09The most important thing about the young-cinema movement was its oppositional stance

13.15:30Reasoning backward from the present to history

14.15:45Absurdism with Chinese characteristics

15.19:02The eternal dilemma of Chinese intellectuals confronting power

16.21:12 Historical figures: Wang Shijie and Chen Bulei

17.22:47 The dream of becoming an imperial tutor, and the mentality of national salvation overwhelming enlightenment

18.23:28 Confronting a changing China and suddenly losing one’s voice

19.26:19 Noncooperation is not the same as prudent self-preservation

20.27:17 The values of modern enlightenment cannot be bypassed