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Cover of Joan Chen: Catfish
Joan Chen: Catfish
Life and death, love and loss in memory
Completed · 55 episodes
Buy for ¥148.00 （Original price ¥200.00）
Audio in Chinese
1. Preface: Catfish—Love and Loss in Memory 2. Conversation | Joan Chen, Jin Yucheng, and Zhou Yijun: When I Began to Write 3. You Cannot Return Home, Just as You Cannot Return to Your Mother's Womb 4. A New Resident on Pingjiang Road 5. A Damp Homesickness 6. At Fourteen, Fate Opened a Path for Me 7. Persecutors and the Persecuted 8. Two Letters Joan Chen Wrote to Classmates in 1978 | Bonus 9. The Happy Caravan: My Days on the Set of Little Flower 10. People from the Past: Letters with M, 1978–1983 I 11. People from the Past: Letters with M, 1978–1983 II 12. My Grandmother Shi Yifan: The Early Life of a Twentieth-Century Pioneer 13. No Woman Would Die from This 14. I Side with the “Losers,” Not the “Winners” 15. How Should I Understand My Grandfather's Life Cut Short? 16. Joan Chen: I Have No Plans—I Just Want to Take a Big Bite out of Today | Bonus Interview 17. The Ball Lost in Childhood's Jungle: How My Father Met My Mother 18. My Mother: The First Person to Love Me, and the First Person I Loved 19. Mother Will Exist in All Things 20. At Forty-Six, My Mother Began Life as a Schoolgirl in America 21. Mother Said: You Must Remember to Pray 22. Joan, a Girl Who Charged into Battle 23. A Thousand Forgotten Nights of Love 24. Every Loss Awakens All the Losses 25. I Asked David Lynch to Kill Me in Twin Peaks 26. Remembering Bertolucci: We Will Always Have the Forbidden City's Dawn and Dusk 27. The Last Emperor: A Marvelous Wonderland, a Believable Life 28. All Those Moments Will Be Lost in Time, Like Tears in Rain 29. Rutger Asked Me, “Surely You Know We've Been in Love All Along?” 30. Xiu Xiu: The Sent-Down Girl—My First Lesson in Directing 31. People Who Cannot Go Home 32. What Would New York Look Like If I Filmed It after 9/11? 33. Autumn in New York: Opportunity Arrived before I Was Ready 34. Perhaps Unconsciously I Longed to Bare Desire Like Doctor Lin 35. The Sun Also Rises: Jiang Wen's Alchemy and an Aesthetic Outlier 36. Joan Chen × Jiang Wen: The Distance between “Her” and Me 37. Joan Chen × Jiang Wen: In Youth We Had Not Recognized Fate, Only the Strength to Resist Ourselves Joan Chen: Two Letters to My Daughter Angela | Bonus 39. Searching for Guo Shuhua: Perhaps the Boy Repeats His Mother's Story to Recover a Little Love 40. I Have Played Countless Mothers; Rose Is the Only One I Defend and Cherish 41. A Nightmare's Allegory: The English, the Film in My Mind 42. Art's Suggestion: Those Who Climbed toward the Sky Once Lingered in Desolation 43. Casting The English: One “I Don't Like Him” Made Me Choose Wang Chuanjun 44. The English Wrapped, and I Cried for No Apparent Reason 45. When Life Suddenly Becomes a Memorial, How Should I Record It? | Memories of COVID-19 46. Directing Hero, I Nearly Missed Jackson Yee—the Perfect Choice 47. My Brother's Story: When I Returned to My Longed-for Home, Chen Chuan Was Still Painting 48. Chen Chuan Remembers Grandmother and Mentor Meng Guang: Shanghai Was Less Free Than the Vatican, but Everything Came from the Heart 49. Every Dream Was Intact, Every Possibility Open 50. So Much I Still Want to Know, So Much Longing and Love | Reflections after Sixty 51. That Day I Turned Sixty, but in Mother's Eyes I Was Still a Child 52. A Year of Magical Thinking: At Ninety-One, Father Lost His Partner of Nearly Seventy Years 53. Every Girl's Journey into Adulthood Is Harrowing | Joan Chen, Luo Xin, and Chen Luyu 54. I Found the House That Belonged to Me 55. In the End, We All Go Home | Finale