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Cover of Drama and Philosophy: Nine Classics from the Song, Yuan, and Ming Dynasties
Drama and Philosophy: Nine Classics from the Song, Yuan, and Ming Dynasties
Reading Chinese Classics, Season 12
Ongoing · Updated every Monday
Buy for ¥198.00
Audio in Chinese
Yang Zhao: Why Spend Ten Years Teaching the Chinese Classics? The Liberation of Thought: Chan Buddhism, Drama, and the Learning of the Mind 1.1 How Did Chan Buddhism Arise in China? 1.2 The Platform Sutra: The First Indigenous Chinese Buddhist Scripture? 1.3 The Birth of a Legend: How Did Huineng Teach Through His Own Story? | Platform Sutra, “Autobiography” 1 1.4 Does Everyone Possess Buddha-Nature? Hongren and Huineng’s First Encounter | “Autobiography” 2 1.5 Shenxiu’s Dilemma: When We Cannot Escape the Sea of Conceptual Thought | “Autobiography” 3 1.6 How Did Huineng’s Twenty Characters Suddenly Awaken His Listeners? | “Autobiography” 4 1.7 What Does the Final Conversation Between Hongren and Huineng Reveal? | “Autobiography” 5 1.8 An “Impure” Patriarch: How Did the Fleeing Southern School Write Its Legend? | “Autobiography” 6 1.9 Neither Wind nor Banner Moves; Your Mind Moves: Huineng’s First Public Teaching | “Autobiography” 7 1.10 A Victory Written into History: The Hidden Northern–Southern Conflict | Platform Sutra, “Sudden and Gradual” 1 1.11 Practice Through Non-Action: How Did Huineng Overturn Buddhism’s Basic Elements? | “Sudden and Gradual” 2 1.12 Zhiche’s Question: Follow the Scripture’s Words or Grasp Its Meaning? | “Sudden and Gradual” 3 1.13 Why Did a Tradition Claiming “No Reliance on Words” Leave Such Vast Written Records? | “Sudden and Gradual” 4 1.14 Huineng and Shenhui: What Riddle Trapped the Child Prodigy? | “Sudden and Gradual” 5 1.15 A New Challenge for Chan: If Anyone Can Become a Buddha, Are Monasteries Necessary? | “Questions” 1 2.1 What Ambition Does The Five Lamps United in the Source Reveal? 2.2 Do Chan Words Create Confusion or Awaken Insight? | Five Lamps 1 2.3 After Austerity and Renunciation, What “Method of No Method” Did Shakyamuni Teach? | Five Lamps 2 2.4 Shakyamuni’s Wordless Teaching: How Do We Find the Dharma’s True Face? | Five Lamps 3 2.5 One or Two? Chan Dialectics: The Question Itself Is the Cage | Five Lamps 4 2.6 Does the Demon King Become a Demon So That All Beings May Become Buddhas? | Five Lamps 5 2.7 Breaking Through Stubborn Thought: Does Truth Lie Beyond Words? | Five Lamps 6 2.8 Intuition’s Blade: Cleansing Attachment to Self and Cutting Off Discrimination | Five Lamps 7 2.9 Was the Chan “Transmission of the Lamp” a Local Revolution That Rewrote Orthodoxy? 2.10 Was Chan Created to Make Buddhist Principles Easier to Understand? 2.11 Change Within the Unchanging: A Hindu-Style Inquiry into “True Form” | Five Lamps 8 2.12 Bodhidharma Challenges the School: How Can We Break Through Form and Formlessness? | Five Lamps 9 2.13 Bodhidharma’s Wisdom for Subduing Demons: The Cage of Names or the Sky of Original Nature? | Five Lamps 10 2.14 Bodhidharma Challenged: Three Questions from “Self” to “No-Self” | Five Lamps 11 2.15 Where the Mind Rests: Huike Seeks the Dharma and Bodhidharma Transmits the Lamp | Five Lamps 12 3.1 The Blue Cliff Record: How the “Foremost Book of Chan” Escapes the Predicament of Words 3.2 Why Did Chan Complete Its Secularization in the Song Dynasty? 3.3 Studying the Buddha or Studying Buddhism: How Should We Approach Chan Texts? 3.4 What Do Two Recorded Endings for Bodhidharma Reveal? | Blue Cliff Record 1 3.5 The Fog and Edge of Language: What Are You Asking, and What Are You Answering? | Blue Cliff Record 2 3.6 How Can a Drop of Water Reveal a Complete and Self-Sufficient Universe? | Blue Cliff Record 3 3.7 Chan’s Staff and Shout: When Breaking Habit Becomes a Habit | Blue Cliff Record 4 3.8 Is the Buddhist Truth That “All Is Impermanent” the Only Permanent Thing? 3.9 Rereading the Zhaozhou Koan: Learning to Loosen Necessary Connections | Blue Cliff Record 5 3.10 Can Deliberately “Not Discriminating” Keep the Mind Free? | Blue Cliff Record 6 3.11 Is “Killing the Buddha and the Patriarchs” Necessary to Remove Obstacles? | Blue Cliff Record 7 3.12 Yunmen’s Legendary Search: Did a Crushed Foot Bring Great Awakening? | Blue Cliff Record 8 3.13 The Way: Where Words Cannot Reach | Blue Cliff Record 9 3.14 The Sandaled Man on a Solitary Peak: Three Levels in Deshan’s Koan | Blue Cliff Record 10 3.15 Are Chan Koans Merely Word Games? | Blue Cliff Record 11 4.1 What Have We Missed About Yuan Drama Beyond Its Written Words? 4.2 How Did Yuan Performers “Fit” The Western Chamber into Music? | Dong’s Western Chamber 1 4.3 The Maid Takes the Lead: How Did Hongniang Come Alive in Dong’s Western Chamber? | Part 2 4.4 Why Must Lovers in Drama Always Part? | Dong’s Western Chamber 3 4.5 How Many Ways Can Yingying and Student Zhang Sing Their Sorrow of Parting? | Dong’s Western Chamber 4 4.6 Open a Door and Fall into the Finest Narrative Device in Dong’s Western Chamber | Part 5 4.7 Longing Cut in Two: One Person’s Farewell, Two People’s Hearts | Dong’s Western Chamber 6 4.8 The Zhugongdiao Sings Longing to Its Limit—but What Does Its Plot Still Lack? | Dong’s Western Chamber 7 5.1 Reading a Yuan Drama Through Late-Ming Eyes 5.2 Why Is The Western Chamber Not an “Obscene Book”? Did Wang Shifu Finish It? | Jin Shengtan’s Method 1 5.3 Learn to Read The Western Chamber and Learn to Read Every Good Book? | Jin Shengtan’s Method 2 5.4 How Is a Marvelous Work Under Heaven Written? | Jin Shengtan’s Method 3 5.5 Does The Western Chamber Write Only the Word “Nothing” from Beginning to End? | Jin Shengtan’s Method 4 5.6 A Book “Stolen” from Everyone’s Heart? | Jin Shengtan’s Method 5 5.7 Borrowing the Past to Voice My Heart; Painting Clouds Only to Set Off the Moon | Jin Shengtan’s Western Chamber, “Startled by Beauty” 1 5.8 Why Is the Scholar Who Meets a Beauty Always Caught “In Between”? | “Startled by Beauty” 2 5.9 Student Zhang Before Yingying: A Wanderer Lodging Far from Home | “Startled by Beauty” 3 5.10 Love at First Sight Descends Suddenly at Pujiu Temple | “Startled by Beauty” 4 5.11 What Little Dramas Play in Student Zhang’s Mind After Falling in Love at First Sight? | “Startled by Beauty” 5 5.12 Yingying and Student Zhang’s Shyness and Torment Before Their First Tryst | “Answering the Letter” 1 5.13 Waiting and Torment at Their Extreme Finally Bring Extreme Joy | “Answering the Letter” 2 5.14 What Inner Drama Does Hongniang Perform Before the Lady’s Interrogation? | “Interrogating Hongniang” 1 5.15 How Does Hongniang Escape the Lady’s Rebuke? | “Interrogating Hongniang” 2 6.1 Commoners on Stage and Literati at Their Desks: Two Worlds of Yuan Drama 6.2 How Absurd Is the Origin of Dou E’s Injustice? | The Injustice to Dou E, Act II 1 6.3 Tragedy Begins with a Bowl of Tripe Soup | The Injustice to Dou E, Act II 2 6.4 How Is Dou E Forced Step by Step to Confess? | The Injustice to Dou E, Act II 3 6.5 Before Execution, All Dou E’s Wrongs Condense into Three Vows | Act III 6.6 Dou Tianzhang Judges an Orphan’s Wrong at Night: Father and Daughter Meet Across Death | Act IV 1 6.7 The Verdict Reversed and Wrong Redressed: How Does Guan Hanqing Fill a Conventional Plot with Drama? | Act IV 2 7.1 Three Transformations of Verse—Shi, Ci, and Qu: The Tug-of-War Between Sound and Writing 7.2 Exiled from the Political Center, How Did Yuan Literati Turn to Writing Qu? 7.3 Why Is Yuan Drama Not Held in the Same Esteem as Tang Poetry and Song Lyrics? 7.4 元曲的吊诡：最自由的曲与最不自由的心丨关汉卿《四块玉·闲适》 7.5 不识字的渔翁，为什么让所有人羡慕？丨关汉卿《沉醉东风·送别》等